Theres an animated gif of Nariyama Shihan performing gedanate on this page of the Shodokan honbu website. Your description sounds a lot like the technique we Shodokan types call 'gedanate'. Could traditional judo foot sweeps be that much different? Sweeping uke over our hip/thigh or stepping on uke's foot might compromise our balance. Care has to be taken to get off the foot or uke can get hurt. Then when nage turns/applies hip power, uke ends up getting swept across the thigh/hip.Īnother thing that we sometimes practice is stepping on one of uke's feet to keep the foot in place in order to prevent uke from regaining his balance. There are some examples, but that's not what I want to talk about.ĭid we do Morotedori Kokyuho when you visited? We often do this in a way that nage slips his thigh/leg behind uke so that uke can't regain his balance.
Our dojo rarely does anything where we interact with uke with a foot off the ground. Hi Louis! Long time, no exchange of bytes. This movement is not so much a forceful displacement of uke's leg, but rather a subtle means of creating further unbalance of uke. For example, during Sumiotoshi the nage can use the leg closest to uke to perform a "sweep". Rousey breaks Tate’s grip by rolling over towards the head.I've practiced leg sweeps in conjunction with other Aikido techniques. Interestingly Rousey can’t get her right leg over Tate’s head but clamps her legs together and is still able to finish the armbar. Rousey gets her guard and begins the juji-roll armbar to inevitably finish the match. Tate has good body awareness and hip movement and is able to stay on top. The second attempt at Sumi gaeshi, again with an uchi mata to unbalance Tate. This is much safer and there is less risk of getting her back taken. Notice her right arm is under Tate’s armpit rather than the headlock style ( kesa gatame). This places Ronda in a nice modified scarf hold position. Ronda let’s Tate push away from the cage to get her momentum coming forwards and snaps a sharp Uki Goshi/ Tai o toshi with an undertook and elbow grip. Ronda leads in with a left jab and combines it with the single leg knee pick, she can’t quite get it and Tate tries to counter with an uchi mata of her own but Ronda smothers her with heavy hips.Ģ:25 uki goshi – floating hip throw / tai o toshi – body drop Rousey hops off her leg at the last second to land on Tate for extra impact.ġ:00 kuchiki taoishi (one hand throw down/knee pick) Note the grip: Rousey’s right hand gripping Tate’s left elbow. Again, Rousey uses Tate’s momentum against her by turning, getting her hips in tossing her over. Tate shoots for a takedown and is countered with a crushing harai goshi. She fakes an uchi mata to get Tate to react backwards and then sweeps out her foot. Rousey clinches up with her usual headlock control and left wrist. Her grip is high up on Rousey which allows her to throw her again with uchi mata. Tate makes her third attempt for the outside hook. Rousey uses the Tate’s momentum and leg position, turns into the direction of Tate’s throw, lifts Tate’s leg and flips her to the mat. Tate goes for an outside hook again but this time gets countered with an uchi mata. Tate scores a very nice outside hook or kosoto gake from a double leg type grip.
Rousey times Tate’s left leg kick and grabs a hold for a knee pick takedown. Ronda uses a classic setup with a fake uchi mata to get Tate onto her left foot, and quickly sits under and scoops the leg with her foot, rolls and kicks Tate over.Ġ:56 kuchiki taoishi (one hand throw down/knee pick) The UFC 168 co-main event had her squaring off with arch-nemesis, Meisha Tate.įull analysis on Rousey and Tate’s takedowns with animated gifs below. Ronda Rousey had one of her best showings despite being pushed past the first round for the first time.
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